Sweet Tea Breathe Again Reggaton Mix Cover
Confetti | ||||
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Studio album past Piffling Mix | ||||
Released | vi November 2020 (2020-11-06) | |||
Genre |
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Length | forty:26 | |||
Characterization | RCA | |||
Producer |
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Petty Mix chronology | ||||
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Singles from Confetti | ||||
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Confetti is the sixth studio album by British girl group Little Mix, released on vi November 2020 through RCA Records. The anthology was recorded before the COVID-xix pandemic, which interfered with the subsequent promotion program for the anthology. It was the group'south last anthology to feature sometime grouping member Jesy Nelson, who left the group in December 2020, it is also their first to be released under RCA Records, following their split from Syco Music, and was their last studio album earlier their hiatus in 2022.
Musically, Confetti, is primarily a popular and R&B record with elements of 1980s pop, reggaeton, 2000s pop, and gospel music. The album was met with generally positive reviews from critics and lyrically addresses themes of self-acceptance, self-worth, freedom, and independence. The album was supported by iv singles; "Break Up Song", "Holiday", "Sweet Melody", which peaked at number-ane in the United Kingdom and a remix of the title runway, featuring Saweetie. An expanded edition of the anthology was released on 11 Dec 2020, and includes stand-alone singles; "No Time for Tears" (with English DJ Nathan Dawe), "Bounce Back" and "One I've Been Missing".
Commercially, Confetti topped the Irish Albums Chart, becoming the group's third number ane anthology. On the Uk Albums Chart, the album peaked at number two condign the grouping's sixth consecutive album to attain the top five in that location. Elsewhere, it reached the acme ten of the charts in 10 other territories, and peaked at number fourscore-five on the United states of america Billboard 200 charts. To promote the album, Little Mix embarked on The Confetti Tour, and gave televised performances on Little Mix The Search, The Jonathan Ross Testify, and the 2020 MTV EMAs.
Background [edit]
On 12 March 2020, Picayune Mix released a music video for the LM5 (2018) anthology rails "Wasabi". At the stop of the video, the anthology cover for LM5 was seen standing on a platform before being thrown out by an explosion of confetti, followed by the message 'New Era Pending'.[1]
On 16 September 2020, Confetti was appear beyond multiple social media platforms by Little Mix, revealing the release date of six Nov 2020, as well every bit the album fine art and the title.[two] On 18 September, streaming services released pre-orders of the album.[3] The standard edition has 13 tracks. On 27 October, Little Mix partnered with Amazon Alexa to release the official track listing. Fans were encouraged to say "Alexa, drop some Confetti" and they would receive a rails name.[4] The side by side twenty-four hours, 28 October, the full track listing was confirmed.[5]
The album was "pretty much finished" earlier the COVID-19 lockdowns were implemented, with "piffling tweaks" notwithstanding to be made. Every bit restrictions eased, each of the members individually visited the studios to add "final touches", whereas for their previous albums, they would complete the album procedure together. Perrie Edwards noted that it was a "weird process", but that they felt they had to complete it due to wanting "anybody to hear it". Jesy Nelson noted the contrast between Confetti and LM5, stating that LM5 was very "girl ability", whereas with Confetti, she said: "With this album, we just had fun and wrote songs that we liked and it came together". Jade Thirlwall agreed with Nelson, adding, "Non every single song has to have this super deep meaning. People know what we're about now and know what we stand up for. I think LM5 was very much about solidifying that, whereas with this album it is just well-nigh writing bright pop songs that we love."[vi] Confetti was described by Leigh-Anne Pinnock every bit the grouping's "biggest" album yet.[seven] Around the album's release, Nelson took some time out of the group's promotion schedule, citing a private medical matter. On 14 Dec, Nelson announced she was leaving the group due to the impact on her mental health. In a statement, she said, "I find the constant pressure of being in a girl grouping and living up to expectations very hard."[eight]
On 12 June 2021, a new vinyl version of the album was made available in selected stores effectually the world for Record Store Day 2021. The new version came in an orange and pink cover with the anthology title printed in cursive silvery glitter. The new version exclusively featured the new remix version of the album'south title track, "Confetti", featuring American rapper Saweetie.[9] [10]
Music and lyrics [edit]
Musically, Confetti is a popular[11] [12] and R&B[13] record, incorporating elements of synth-pop, gospel,[14] retro and contemporary pop product that "provides its audience with a warm and fuzzy feeling of cornball delight".[14] The album was also described as reminiscent of the group's previous bubblegum-pop records, but with a more mature sound and "poignant lyrics".[fifteen] Lyrically, the songs discuss existence freed from unrealistic expectations,[15] self-credence,[sixteen] cocky-worth and a "fierce and mercifully coherent argument of independence".[12]
Songs [edit]
Confetti opens with "Interruption Upwards Song", a 1980s synth-pop "kiss-off anthem" about joy and liberation that 1 tin find in single life. It has been compared to Don Henley's "The Boys of Summer".[12] [11] [14] Sam Etzioni of Renowned for Sound believes that the song serves as a sequel to the group'southward Celebrity Days track "Shout Out to My Ex".[fourteen] The 2d rails, "Vacation", has a "post-Daft Punk" feel and is gear up to firm beats.[11] The tertiary rails, "Sugariness Tune", has reggaeton beats, and lyrically is about getting over an ex-young man.[17] [xi] The championship track, which serves every bit the 4th track of the album, is reminiscent of a compilation of early 2000s hits,[17] and encapsulates the experience-good tone of the album as a whole. The song contains self-sufficient lyrics and promotes a focus on one'southward individual enjoyment of life, a lack of preoccupation with men and relationships and an appreciation for what ane has right here and at present.[14]
"Happiness", the fifth track, is a Europop-R&B song.[12] [11] Lyrically, the song is about finding forcefulness from within, rather than needing a partner to draw that strength and happiness from.[sixteen] The lyrics are reminiscent to the group's LM5 track "The Cure" for its message regarding cocky-beloved and acceptance.[18] [15] The sixth track, "Not A Pop Song", is a guitar-lead rails, containing lyrics about battling unrealistic expectations and superficial standards in the pop world. The song besides appears to take a swipe at Simon Cowell and his tape label, Syco Music, which the group left dorsum in 2018, with the lyrics "I don't practise what Simon says".[nineteen] The song is also described every bit "the perfect ode to the stereotypical pop music manufacturing plant".[xx] The 7th track, "Nothing But My Feelings", is lyrically nigh a "booty call". Member Jade Thirlwall said that they "[the writers] purposefully made the song seem quite innocent, but really when y'all look into the lyrics they're pretty filthy".[21]
The eighth track, "Gloves Upwardly", has an euphoric and deep groove with clattering rhythm that is reminiscent of 2000s R&B.[11] [eighteen] The ninth track, "A Mess (Happy 4 U)", is a melodic pop song, shifting after two minutes into a dark cloud of sampled panting, booming drums and distorted vocals.[11] "My Love Won't Let You lot Downward", which serves as the tenth runway of the album, is a gospel piano ballad.[11] The vocal talks about the "human nature of friendship",[18] and it is believed to be written as a love letter for the fans.[fifteen] Jacklyn Krol of PopCrush described the vocal as a "soaring ballad" and that it "shows off the grouping's raw vocal talent without getting bogged down by sleeky product".[20] The eleventh track, "Rendezvous", is a contemporary pop song with hints of retro, and has been compared to the work of the Pussycat Dolls, specially their song "Buttons".[12] [17] The song samples "Sway" past Dean Martin.
"If You Desire My Love", the twelfth track, is a R&B song, and has drawn comparisons to TLC and Destiny's Kid.[12] The closing track, "Breathe", is a torch song and lyrically about heartbreak.[12] [eleven] "Bounce Back" appears on the Japanese deluxe version of Confetti, and is a trap-popular song that interpolates "Back to Life (Withal Practice You lot Want Me)" by Soul II Soul.[22]
Artwork [edit]
The standard cover of the Confetti album depicts Nelson, Pinnock, Thirlwall, and Edwards, each wearing glittery makeup with fluorescent lights flying across the groundwork. The name of the group tin can be seen at the top of the encompass printed in off-white colour, and the album name at the bottom.[23] Pinnock can also be observed wearing her engagement ring in the encompass artwork, later on she was engaged to her fiancé Andre Gray in May 2020. The back comprehend besides has fluorescent lights in the background, similar to the front, and displays the track listing of the album.[24] The expanded edition of the album features the aforementioned cover but with the proper noun of the band printed in blue color.[25] The exclusive vinyl version of the album for Record Store Twenty-four hours 2021 came with an orange and pink comprehend with the album title printed in cursive argent glitter.[9]
Promotion [edit]
Singles [edit]
Confetti was supported past 4 singles. On 27 March 2020, "Break Up Song" was released as the lead unmarried from the then-untitled album.[26] The official music video for the was released on viii May 2020.[27] The song debuted at number 9 on the United kingdom of great britain and northern ireland Singles Chart, and spent 18 weeks on the nautical chart.[28] The vocal charted in several other countries and received gold music certifications from the British Phonographic Industry (BPI) and from Pro-Música Brasil (PMB).
"Holiday" was released on 24 July 2020 and served as the album'due south second single.[29] Its music video was filmed during isolation due to the COVID-xix pandemic, in front end of a greenscreen, and features the group as mermaids and goddesses. It was released on 28 August 2020.[30] [31] The track peaked at number fifteen on the UK Singles Chart, and charted in ten other territories. It has since been certified aureate in both the United Kingdom and Brazil.
"Sugariness Melody" was announced as the album's third single on xix October, and released on 23 October.[32] An accompanying music video was released the aforementioned solar day as the song'southward release.[33] The song debuted at number eight on the Britain Singles Chart,[34] and peaked at number one three months later on its release, becoming the grouping's 5th chart-topper in the Uk.[35] The vocal spent thirteen weeks inside the superlative 10 of the UK Charts, becoming the group's longest running Top 10 single there.[36]
A remix of the album's title runway, featuring American rapper Saweetie, was released every bit the fourth and concluding single of the album on 30 April, every bit announced on 21 April. The reworked version does not characteristic the verse by former member Nelson, every bit it was the group's showtime release as a trio, following her deviation in 2020.[37] An accompanying music video, directed by Samuel Douek, was released the same day. The song peaked at number 9 on the United kingdom Singles Chart and has been certified argent by the BPI.[38] The remix too charted in Kingdom of belgium, New Zealand and Venezuela.
Promotional singles [edit]
Prior to the album's release, three promotional singles were released, all of which had accompanying lyric videos on the group's YouTube channel. On nine October 2020, "Not a Pop Song" was released every bit the album's first promotional single.[39] On sixteen October 2020, "Happiness" was released equally the second promotional single.[40] On four Nov 2020, the championship track was released as the third promotional single, earlier being released as the album's 4th official single.[41]
Live performances [edit]
Promotion for Confetti and its singles was express because of the COVID-19 pandemic. On August 21, 2020, the grouping first performed "Break Up Vocal" and "Holiday" for their virtual concert Little Mix - UNCancelled. It was watched by over 300,000 fans and presented by Meerkat Music.[42] They went on to perform an acoustic version of "Holiday" on BBC Radio 1'southward Alive Lounge on September 15[43].
The grouping afterwards promoted the anthology and its singles on Piffling Mix: The Search. The debut functioning of "Sweet Tune" took place on the start live testify of Little Mix: The Search. Grouping member Jade Thirlwall was absent-minded on the day of the performance as she was self-isolating as a precaution at the fourth dimension.[44] Two weeks later, they performed a mashup of "Holiday" and "Touch" on the semi-finals of the same show. Information technology ended up being the last performance that featured all four members, earlier it was announced that Jesy Nelson would be taking an extended break from the grouping.[45] [46]
On November 8, the grouping hosted the 2020 MTV EMAs as a trio, where they performed their single "Sweet Melody".[47] Little Mix connected to promote the album with an appearance and a performance of "Sugariness Tune" on The Jonathan Ross Bear witness on 21 November 2020.[48] They later performed "Break Upward Vocal" on the semi-finals of BBC'southward Strictly Come Dancing on 13 Dec 2020.[49]
The Confetti Tour [edit]
On 17 September 2020, Piffling Mix announced their seventh tour, The Confetti Tour, originally scheduled to take place from 28 April to 29 May 2021,[3] earlier beingness postponed. The tour locations were also appear, with the group scheduled to perform in cities across the United kingdom of great britain and northern ireland and Ireland.[50] Tickets were released to the general public on 25 September at 9am BST, with the option of pre-sale tickets given to those who pre-ordered Confetti through the group'southward official website.[51] The pre-sale tickets were available from 22 to 25 September.[52]
Disquisitional reception [edit]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.1/10[53] |
Metacritic | 74/100[54] |
Review scores | |
Source | Rating |
Disharmonism | 9/10[55] |
DIY | ![]() ![]() ![]() ![]() ![]() |
The Guardian | ![]() ![]() ![]() ![]() ![]() |
The Independent | ![]() ![]() ![]() ![]() ![]() |
iNews | ![]() ![]() ![]() ![]() ![]() |
The Line of All-time Fit | 5.5/10[59] |
musicOMH | ![]() ![]() ![]() ![]() ![]() |
The Observer | ![]() ![]() ![]() ![]() ![]() |
PopMatters | 8/10[fifteen] |
The Sunday Times | ![]() ![]() ![]() ![]() ![]() |
The Telegraph | ![]() ![]() ![]() ![]() ![]() |
At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has an average score of 74 out of 100, based on ten reviews, indicating "generally favorable reviews" and their highest rated to engagement.[54] Similarly, review aggregator AnyDecentMusic? rated Confetti 7.1 out of 10.[53] Clash 's Megan Walder praised the album'due south themes of "meta critiques on the music industry and driving forward with their empowering calendar to be every daughter'southward best friend". Walder also felt that "touches of R&B, the nostalgic beats and the impeccable harmonies that the four produce offer condolement with their familiarity and still manage to feel progressive with the 2020 take on these classic elements of an iconic music era", referring to the 2000s as the iconic music era in question.[55] Jenessa Williams of DIY agreed, saying that "Confetti feels like a proper bid for world domination, front end-loaded with strong, Americanised R&B." Anthology tracks "Confetti" and "Rendezvous" drew comparisons to "00s compilation bangers, the sort that demand big-budget music videos that you lot can act out in your bedroom when no one is watching."[13]
Alexis Petridis from The Guardian awarded the album 3 out five stars, maxim it sounded "strangely familiar", and "hard pushed to differentiate information technology from its predecessor [LM5]". Petridis noted that Confetti was a "box-ticking practice in current pop trends" including '80s inspired synths ("Break Up Song"), reggaeton beats ("Sweet Melody"), post-Daft Punk business firm ("Vacation"), gospel ("My Love Won't Permit Y'all Down") and Europop ("Happiness"). He ended past saying that Confetti is exactly what yous would expect, "a solid mainstream pop album – even when information technology's claiming that it isn't".[56] Meanwhile The Independent 's Roisin O'Connor opined that the "group'south clear nineties influences mesh wonderfully with contemporary pop production". In the review O'Connor said "Confetti doesn't stray too far from the empowered glam pop that Little Mix accept fabricated their forte. Its xiii tracks are a polished mix of flirtatious bops and high-octane tracks that celebrate self-worth... sure, there's zilch groundbreaking to exist found here, but information technology does prove that Footling Mix do simply fine when they're relying on their ain instincts."[57]
The album was chosen "triumphant" and a "celebration", referencing the group's carve up with Simon Cowell and their old label Syco Music, by Elisa Bray from iNews. Bray described that Confetti "is the confident anthology of a group who, approaching 30, have found their voice."[58] Although Steven Loftin from The Line of Best Fit called the album a "stride forwards", he said "a little more care in the arts and crafts of the big moving-picture show wouldn't go a miss". Loftin elaborated that "given the situation, almost freedom, that the assertive group discover themselves in, there's certainly a gap in Confetti that leaves you wishing at that place was a further stride forward into something coherent."[59] Writing for musicOMH, Nick Smith said "Confetti sees Little Mix coming out of the starting blocks power walking. There'due south nix actually new hither". Smith went on to criticise the Auto-melody used on some of the songs merely ultimately said "these talented women are at present undeniably veterans of buss-offs and popular bangers with soaring choruses. Confetti is a dependable album with recipe staples, merely to keep hereafter involvement piqued, something new is now required in the mix."[lx] Kate Solomon from The Telegraph agreed with all of the prior critics' sentiments, saying that although the anthology is "glorious fun" it was zip "nosotros oasis't heard before". Solomon ended that Confetti continued a trend of "high quality" music, with "consistently attainable style" and "likeable personalities".[63] While The Sunday Times ' Volition Hodgkinson said "Who would have guessed that the girl band would exist thriving about a decade later? Determination has won through and their latest anthology displays the chemistry and bonhomie that has got them this far." He said that the album sounded familiar, "somewhere between zippy popular and slinky R&B".[62] Jeffrey Davies of PopMatters, went on to call Confetti the group's all-time work to appointment, describing it equally "entertaining merely not over the top and bold but non self-serving". He also added that the album, apart from beingness bold and grown-upwardly, "is campy and fun in a fashion that sounds completely natural to the grouping". Continuing his review, he stated "With this anthology, Lilliputian Mix have captured the best of both worlds: the beloved trip the light fantastic-pop that made them famous with newfound creative freedom and power".[15] Jacklyn Krol of PopCrush stated that the album "packs a perfect flow that takes the listener on a journeying of emotions and vibes" and that it "truly feels like a liberation for the group". PopCrush also included the album as one of the "25 Best Albums of 2020".[20]
Year-end lists [edit]
Commercial performance [edit]
The lead single "Interruption Up Song", peaked at number nine on the UK Singles Chart and at number 2 on the Scottish Singles Chart, and charted in the tiptop twenty of Hungary and Ireland. It was certified aureate in both the United Kingdom and Brazil. The group second unmarried "Holiday", peaked at number fifteen on the UK Singles Chart. It reached number three in Scotland, number eight in Macedonia, and charted in the summit 20 of Hungary and Bolivia's English-language charts. Information technology was later certified golden in both the United kingdom and Brazil.
Their third single "Sweet Melody" reached the peak of the UK Singles Nautical chart in January 2021, becoming the group's fifth number-1 unmarried at that place, and their first since "Shout Out to My Ex" in Oct 2016. The single also topped the charts in North Republic of macedonia, and peaked within the peak 20 of the charts in Croatia, Republic of hungary and Ireland, and the English-linguistic communication charts of Guatemala, Bolivia, Uruguay and Peru. It was later certified platinum in both the United Kingdom and Brazil. The group fourth single a remix of "Confetti" featuring American rapper Saweetie was released as the last single from the album. The vocal reached number nine on the Great britain singles nautical chart, condign Petty Mix 18th top x single in that location.
"No Time for Tears", which peaked at number nineteen on the united kingdom of great britain and northern ireland singles chart, and "Bounce Back" which peaked at number x, was after included on the grouping expanded edition of their sixth studio album, Confetti. Both singles accept been certified argent in the UK, while 'Bounciness Back' was also certified gold in Brazil. "One I've Been Missing", was also included on the group expanded edition of their sixth studio album, Confetti.
Upon its release, the album received more often than not positive reviews. The album charted in a full of 25 countries and peaked at number i on the Irish gaelic Albums Charts, becoming the group'south third number ane anthology in the country. In the United Kingdom the album debuted at number two on the Official Albums Nautical chart with 49,000 chart sales, 5,000 behind Kylie Minogue's Disco in what several outlets accounted to be a hotly contested chart battle,[66] and became the group'due south 6th album to nautical chart in the elevation five of the U.k. Albums Chart. It has since been certified gold past the British Phonographic Industry (BPI). Confetti claimed the biggest first-week sales for an album by a British human activity in 2020,[67] and was besides the fastest-selling album by a British human action that yr.[68] In 2021 the anthology was ranked as one of the best best selling albums of the year, and the all-time selling anthology past a girl group that year.[69]
Outside of the United Kingdom, the anthology charted within the top 10 on the Australian, Croatia, Belgian, Portuguese, Dutch, New Zealand, Lithuanian, Spanish, and Austrian albums charts. Elsewhere it charted within the top 20 on the German, Smoothen, and Swiss Albums Chart and charted in x other territories including the United States.
In the U.s., the album debuted at number eighty-five on the The states Billboard 200 nautical chart.[seventy] [71] [72] This became the group'due south sixth overall album to chart in that location.[73] Leigh-Anne Pinnock's female parent hit out at their US tape label Columbia Records, accusing them of failing to promote the album in the U.s..[74] [75]
Track list [edit]
No. | Championship | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Intermission Upward Song" |
|
| 3:20 |
2. | "Holiday" |
|
| 3:33 |
3. | "Sweet Tune" |
|
| 3:33 |
four. | "Confetti" |
|
| ii:47 |
5. | "Happiness" |
|
| 3:17 |
six. | "Not a Pop Song" |
|
| ii:59 |
7. | "Nothing But My Feelings" |
|
| 2:42 |
8. | "Gloves Upwardly" |
| Lostboy | 2:47 |
9. | "A Mess (Happy iv U)" |
|
| 3:29 |
10. | "My Love Won't Let You Down" |
|
| 2:54 |
11. | "Rendezvous" |
|
| 2:56 |
12. | "If You Want My Love" |
|
| ii:40 |
13. | "Breathe" |
|
| 3:29 |
Total length: | 40:26 |
No. | Title | Writer(s) | Producer(south) | Length |
---|---|---|---|---|
14. | "Bounciness Back" |
|
| 2:40 |
15. | "Break Up Song" (acoustic version) |
|
| three:23 |
16. | "Vacation" (Frank Walker remix) |
|
| 3:24 |
Total length: | 49:53 |
No. | Title | Author(s) | Producer(s) | Length |
---|---|---|---|---|
14. | "No Time for Tears" (with Nathan Dawe) |
|
| three:17 |
15. | "Bounce Back" |
|
| 2:40 |
sixteen. | "Ane I've Been Missing" |
|
| three:12 |
17. | "Interruption Up Song" (Nathan Dawe remix) |
|
| iii:21 |
18. | "Intermission Upward Vocal" (Steve Void remix) |
|
| 2:58 |
19. | "Interruption Upwards Song" (acoustic version) |
|
| three:23 |
20. | "Vacation" (MNEK remix) |
|
| 3:38 |
21. | "Holiday" (220 Kid remix) |
|
| 3:25 |
22. | "Holiday" (Frank Walker remix) |
|
| 3:24 |
23. | "Holiday" (acoustic version) |
|
| three:32 |
24. | "Sweet Tune" (PS1 remix) |
|
| 3:31 |
25. | "Sweet Melody" (Alle Farben remix) |
|
| 3:21 |
26. | "Sweet Melody" (audio-visual version) |
|
| three:34 |
Total length: | 83:42 |
No. | Title | Writer(southward) | Producer(s) | Length |
---|---|---|---|---|
fourteen. | "Confetti" (featuring Saweetie) |
|
| 3:04 |
Notes [edit]
- ^[c] indicates a co-producer
- ^[v] indicates a song producer
- ^[pv] indicates a primary producer too a song producer
- ^[r] indicates a remixer.
- "Rendezvous" contains elements of "Sway", written past Luis Demetrio and Norman Gimbel
- "Bounciness Back" interpolates "Back to Life (However Exercise You Want Me)" by Soul 2 Soul
Personnel [edit]
Credits adjusted from Tidal and Allmusic.[76] [77]
Musicians [edit]
- Jesy Nelson – vocals (all tracks)
- Leigh-Anne Pinnock – vocals (all tracks)
- Jade Thirlwall – vocals (all tracks)
- Perrie Edwards – vocals (all tracks)
- Kamille – background vocals (ane, 2, 10, 12, 13, 17, 18, 20–22), bass (i, 2, x, 12, 17, 18, 20–22), keyboards (1, ten, 12, 17, eighteen, 20–22), all instruments (19, 23)
- Frank Nobel – drums (ane, 2, 10, 12, 17, 18, xx, 21), keyboards (1, ten, 12, 17, xviii), programming (i, 2, 10, 12, 17, 18, 20, 21); bass, guitar (ii, 20, 21); all instruments (nineteen, 23)
- Linus Nordstrom – drums, programming (1, two, ten, 12, 17, 18, 20, 21); keyboards (1, 10, 12, 17); bass, guitar (two, xx, 21); all instruments (19, 23)
- Chris Loco – keyboards, programming (ii, 20–22)
- Oliver Frid – bass, drums, guitar, keyboards (3, 6, 11, 24, 25); programming (3, 6, 11, 24–26), background vocals (6), all instruments (26)
- Tom Barnes – bass, drums, programming (4, 5)
- Ben Kohn – guitar (4, 5), programming (5)
- Pete Kelleher – keyboards (four, five), synthesizer (v)
- Phil Cook – programming (v)
- Lara Maria Andersson – background vocals (6)
- Alex Dainty – programming (7)
- Keith Sorrells – programming (7)
- Lostboy – keyboards, programming (8)
- Cass Lowe – programming (9, xiii); background vocals, drums, synthesizer (nine); bass, keyboards (13)
- Jin Jin – background vocals (ix)
- Jon Shave – keyboards (13)
- Niamh Murphy – background vocals (14)
- Tre Jean-Marie – bass, drums, pianoforte, programming, strings, synthesizer (xiv, 16); keyboards (16)
- Mikkel S. Eriksen – all instruments, programming (xv)
- Swiff D – all instruments, programming (15)
- Tor Hermansen – all instruments, programming (xv)
- Jocelyn Donald – groundwork vocals (15)
- Lincoln Jean-Marie – background vocals, performance arrangement (sixteen)
- Joshua Alamu – performance arrangement (16)
- Amy Williams – background vocals (xvi)
- Elizabeth Alexander – background vocals (16)
- Jacob Attwooll – background vocals (sixteen)
- Jermain Jackman – background vocals (16)
- Kate Stewart – groundwork vocals (xvi)
- Layla Ley – background vocals (xvi)
- Michelle John – background vocals (xvi)
- Rachel Furner – background vocals (16)
- Simon King – groundwork vocals (16)
- Jez Ashurst – bass, drums, guitar, keyboards, piano, programming, synthesizer, strings (sixteen)
- Fred Cox – guitar (16)
- Nathan Dawe – remixing (17)
- Steve Void – remixing (eighteen)
- Bloomfield – guitar (19, 23)}
- MNEK – remixing (20)
- 220 Kid – remixing (21)
- Jackson Dimiglio-Wood – programming (21)
- Frank Walker – remixing (22)
- PS1 – remixing (24)
- Alle Farben – remixing (25)
Technical [edit]
- Phil Tan – mixing (ane–thirteen, 16–25)
- Tre Jean-Marie – mixing (14), vocal engineering (sixteen)
- Kevin "KD" Davis – mixing (15)
- Jackson Dimiglio-Forest – mixing, mastering (21)
- Goldfingers – mixing (23)
- Oliver Frid – mixing (26)
- Randy Merrill – mastering (1–13, xix, 23, 26)
- Lewis Hopkin – mastering (14)
- Chris Gehringer – mastering (15)
- Ryan Smith – mastering (16)
- Stuart Hawkes – mastering (17, xx, 24, 25)
- Steve Void – mastering (18)
- Frank Walker – mastering (22)
- Paul Norris – engineering (1, 17–19, 24), vocal engineering science (2, 3, half-dozen–xiv, 16, 20–22, 24, 25)
- Chris Loco – engineering (2, xx–22)
- Mikkel S. Eriksen – applied science (fifteen)
- Thomas Warren – engineering science (xv)
- Gabriëlle Stok – vocal engineering (6)
- Chris Bishop – song engineering (7, 10, 12)
- Cass Lowe – vocal engineering (9)
- Simone Torres – vocal applied science (15)
- Alex Robinson – vocal engineering (xvi)
- Jamie McEvoy – vocal engineering science (16)
- Bill Zimmerman – applied science help (two–13, 17–25)
Design [edit]
- Big Active – art direction, design
- Mariano Vivanco – photography
Charts [edit]
Certifications [edit]
Release history [edit]
See also [edit]
- List of Britain meridian-10 albums in 2020
- List of number-i albums of 2020 (Republic of ireland)
References [edit]
- ^ "Lilliputian Mix – Wasabi (Official Video) – YouTube". YouTube. Archived from the original on 18 November 2020. Retrieved half dozen November 2020.
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Source: https://en.wikipedia.org/wiki/Confetti_%28Little_Mix_album%29
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